Dredge in her studio, Sandringham, Victoria, 1972. Richard Beck vn3533012, National Library of Australia |
Margaret
Dredge is an artist who quietly went
about the business of art making and was an important figure in the development of modern art in Australia. She
has been introduced to me through her retrospective which is currently being
exhibited at Shoalhaven City Arts Centre in Nowra.
Margaret
Dredge was born in Victoria in 1928 and she had quite a
challenging childhood. Her mother died
when she was born. Her father was a WW1
veteran and the two of them boarded in 17 different houses. As a teen she was very interested in art and wished
to study it but her father wanted her to have a more conventional education and a steady
job. She became a secretary and married
but then did begin her art education in the mid 1950’s.
Margaret
Dredge’s early work was figurative or still life and this lead to abstraction
which was to be the focus throughout her art making. She exhibited regularly in group and solo
shows throughout the 1960s and 70s.
She was well received, winning prizes and critical acclaim. Margaret then
withdrew from exhibiting after the 1979 solo show. The reasons were many but included the pressure
she felt to produce more of the same style of work as well as issues regarding
art politics and attitudes toward woman artists.
Margaret
continued working after 1979 but exhibited only a handful of times. In this retrospective it is fascinating to
see the development of an artist.
Margaret was beating her own drum but was, of course, influenced by the
time, the trends and the work of other artists.
I cannot
begin to discuss Margaret Dredge’s paintings and etchings except in the most
simplified terms. Max Dingle and Rhonda
Dredge have discussed her work beautifully in the essays included in the
catalogue for this exhibition and I would encourage you to read them.
Here are a variety of paintings from the exhibition throughout the 1960s, 70, 80s and 90s.
Death of Patroclus, 1964 |
Here are a variety of paintings from the exhibition throughout the 1960s, 70, 80s and 90s.
If you have a chance to go to Nowra to see the
work of this important Australian artist please do. The exhibition is open until May 21. Please find the details on the website
www.shoalhavenartscentre.com.au
St Joan, 1964 |
The Huntress 1969 |
Rainlight Interior 1978 |
Avenger 1984 |
Untitled (red and grey) 1993 |
No's Doorway, 1997 |
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